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d.write("var wordMap = new Array(\" facebook http pages bristol-chamber-choir 112883488781393 interested joining choir please contact secretary details page home \",\" choir history bristol chamber traces history back 1837 when madrigal society founded promote madrigal singing city first meeting held march montague kingsdown destroyed world except years rehearsed given concerts ever since apart from longest-running music festival choirs therefore oldest british musical society have performed regularly public both robert pearsall fellowes strong links with original repertoire consisted 16th century english italian madrigals sacred works including 1839 lotti's lottis ten-part crucifixus sung words works were also composed specifically this broadened encompass extensive late medieval modern times together commissioned several local composers raymond warren president 1988 renamed choir reflect these changes well average four each season hold exchanges other undertaken foreign tours organise choral workshops social events members founding tradition maintained least year amateur music-making continues rehearsals wednesday term time telephone email secretary interested affiliated making music national federation societies which represents supports orchestras promoters throughout united kingdom \",\" future concerts 2012 dates magnificent music lent tallis tomkins weelkes morley byrd kirbye pearsall helped found choir spring 1837 april stephen's stephens church corn bristol tickets door from providence music georges saturday june shed workshop competition while singing current former members families general public 23rd 175th anniversary concert supper peters henleaze wednesday 27th arnos vale 30th bitton around pearsall's pearsalls returned gravestone \",\" contact normal enquiries please contact secretary secretary alexander church road frampton cotterell bs36 01454 778260 susandalexander hotmail \",\" member info choir normally meets every wednesday evening term time peter's peters church drive henleaze bristol 																			normal concert dress 																			ladies  long black skirt tailored trousers v-neck 																																					m cardigan faye details footwear 																			gents black bow-tie white shirt 																			summer concert dress long coloured blouse 																																							 		summer  black open-necked summer 																			please heather folder haven't havent 																			 deposit required 2012 dates jan	 choir rehearsals resume saturday 14th first 175th anniversary social event mark first non-singing meeting elizabeth offered host house ashton suggestion ‘bring share' share supper madrigal singing 29th second meet kingsdown madrigal society 1837 anniversary march 28th lent 	possibly sunday1st april 	concert 	tallis lamentations tudor anthems motets 23rd june 	175th 	music queens anne victoria post meal henleaze	 27th evening	repeat 	poss arnos vale cemetery chapel	 30th 2012	 special bitton	 choir trying pearsall's pearsalls grave stone moved bitton perform church occasion sunday july summer social	 idea hold the upper room meetings suggestions suitable venues welcome 17th tbc	 villalobos	 16th 3pm	 \",\" people musical director gordon pullin distinguished tenor soloist sung over united kingdom many european countries given number solo broadcasts radio three including complete programme coleridge-taylor which also wrote script various local stations mainly english song interest began school norwich where maths master friend since schooldays gerald moore accompanied singing warlock purcell well schumann when awarded choral scholarship john's johns college cambridge choirmaster gave bound collection parry's parrys lyrics apart from wide knowledge standard repertoire fields first performances modern composers opera oratorio songs song-cycles philip wilby carol barratt john jeffreys teed tony noakes among have written several recorded devised programmes around such poets blake blunden clare graves hardy housman shakespeare edward thomas tennyson edited volume settings volume century song' both available publisher william elkin latest christina rossetti coleridge-taylor's coleridge-taylors 'six sorrow songs' songs charles causley celebrate composer's 80th birthday disc light music piano voice past warden performers composers section incorporated society musicians honorary life member city glee club london past member choirs coventry cathedral york minster paul's pauls sings occasional deputy with wells choir president raymond warren renowned composer teacher having held posts queen's queens university belfast 1966 personal chair composition from 1966-72 resident composer ulster orchestra writing them orchestral works conducting series concerts contemporary music 1972 appointed professor bristol post retired 1994 numerous operas oratorios three symphonies recent include symphony commission brunel ensemble author book opera workshop scolar press 1995 chairman committee greg smart joined chamber choir 1991 been ever career started eight when cirencester parish church proud that i've four parts time enjoy just because fascinating range pieces perform friends made years there some notable taken part bach's bachs komm jesu martin's martins mass double purcell's purcells dido aeneas visits copenhagen cork newcastle memorable \",\" music library borrow bristol chamber choir's choirs large library consists renaissance madrigals motets masses part songs mainly unaccompanied contemporary with keyboard accompaniment works from other periods some these combinations satb sets about copies though larger lend music choirs area willing further afield there borrowers expected make reasonable donation reflect wear tear cost postage packing course replace missing damaged please contact librarian heather jenne tele 0117 3451 find need available \",\" recordings waits saville ‘echoes around includes many previously unrecorded works from re-discovered victorian requiem pearsall founder member choir 21st-century music composers closely associated with journey through unusually rich choral heritage finishes course ‘the waits' which been sung every rehearsal since first meeting march 1837 ordering order copy please send cheque incl made payable ‘bristol madrigal society' society treasurer bristol chamber choir backwell hill road bs48 listen extract singing vivaldi's vivaldis magnificat accompanied english national baroque orchestra december 2011 \",\" gallery archive images mawes visit nuremberg choir june 21st 2011 summer social long ashton \",\" sensitive singing choral work john packwood bristol evening post some pearsall pieces particular really showed your lovely soaring soprano line interesting hear sacred version 'lay garland' garland nice young talent being programmed jack davies played beautifully anne denton newport choir thought concert superb what performance from choir enjoyable works which were look forward next time paul hilary reviews beautiful sound spot great selection music they filled church \",\" 2011 past concerts first performance tragic composer's composers ‘passion' ‘passion bristol's bristols oldest choir delighted giving first city astonishing work this ‘choral-passion' ‘choral-passion composed 1932 young german would later rather than fight hitler born 1908 hugo distler talented composer organist teacher whose musical style profoundly influenced heinrich schütz bach lutheran chorales produced only year after hearing schütz' matthew passion illustrate distler's distlers this work's works heritage will also singing closing chorus from chorale ‘jesu deine passion' gesius 1562-1613 bach's bachs interpretation same concert concludes with beautiful motet ‘selig sind toten' toten very religious deeply affected hitler's hitlers persecution protestants mid-1930s thanks unknown protector avoided military call-up 1940 when papers arrived 1942 lost hope depressed brutality denigration third reich loss many friends colleagues battlefields committed suicide just bristol chamber choir created madrigal society been since 1837 celebrate 175th anniversary next specialises capella' capella performing longer small-scale that other groups attempt over last months example sung pearsall's pearsalls ‘requiem' ‘requiem john randall thompson's thompsons ‘the peaceable kingdom' kingdom reputation growing newcomer said recent superb what enjoyable hear which were 2009 jessie 2010 saints church lane long ashton bs41 saturday june 30pm invited join vokalensemble lorenz special while looks schűtz schein brahms shall contributing english madrigals choirs come together sing bruckner's bruckners locus iste maria songs forms part flower festival madrigals founding members robert lucas pearsall 1795-1896 morley bennet excerpts ‘triumphs oriana' oriana provide ‘music summer evening' evening proceeds church heating fund delightful illustration left painting event singers elizabeth holford 					 honour virgin queen each summer return roots brings choice triumphs five- six-part commissioned elizabethan favourite thomas there have mirror stars constellation virgo best-laid plans… 										this concentrates five-part including pieces well-known tomkins cavendish himself well contributions lesser-known equally accomplished exciting hilton holmes mundy cobbold ellis gibbons paying homage ‘long live fair 										to leaven adoration 17th-century duets solos while philip wilby contribute byrd written virginals 										the madrigals? they celebrating come carolling around europe night before christmas 1914 trenches western front miracle occurred soldiers softly began ‘stille nacht heilige their british foes joined words ‘silent holy night' beginning historic truce lasted throughout enemies no-man's-land no-mans-land exchanging gifts they could muster drinking proudly showing photographs their families true spirit inspired gordon pullin's pullins moving arrangement traditional carol wonders other highlights include bristol-based knud stüwe glorious dulci jubilo' jubilo founder ein' ros' entsprungen' entsprungen beautifully arranged amazing performed these some carols less ones makings captivating tour wonderfully unique most distinctive next several concerts events \",\" bristol madrigal society herbert byard there music instruments whatsoever comparable that which made voices where good same well sorted ordered since singing thing wish would learn sing william byrd 1588  the reputation 'golden golden age' elizabeth like literature always stood high even long properly understood need doubt england nest birds elizabeth's elizabeths time what absolutely certain most madrigals madrigal been highly specialised practised musical culture education great madrigal writers flourished later years reign james meant nobility gentry their professional providers luckily english composers writing between 1580 1630 were equally adept sacred secular composition services anthems printed copied into part-books cathedrals collegiate chapels repertory polyphonic rate kept alive when counterpart largely written style available singers could perform therefore surprising many glee clubs sprang nineteenth century guided cathedral church organists italian especially brought public attention mainly through writings john hawkins charles burney 1770s they achieved sporadic publication throughout following notably ones concerned volumes musical antiquarian society 1840 1847 		it possible private performance best vocal weelkes morley orlando gibbons never quite died musically repressive days commonwealth suffered less than restoration latest fashion from france italy sixteenth seventeenth centuries must have intended give pleasure performers perhaps handful listening friends rather audience size first half eighteenth music-making wane while concerts above opera london with handel's handels masterpieces crowning glory steadily attracted more this emphasis contemporary works parallel number efforts revive interest 'ancient' ancient term being used before about 1600 important organisations this type activity academy ancient music founded 1710 headquarters crown anchor tavern strand body practising musicians amateur profes­sional maintaining orchestra serious enough attract financial support such handel gem­iniani regular performances instrumental given doubtless some songs found place programmes though exact informa­tion played sung unfortunately lacking lasted until 1792 really influential period ended 1752 death noted director johann christoph pepusch berlin violinist composer remembered chiefly overtures arrangements tunes gav's gavs beggar's beggars opera polly  	whatever very englishmen detailed knowledge tudor madri­gal 1741 among early members author general history science practice published 1776 year volume famous rival formation told hawkins's hawkinss words immyns attorney profession member meeting misfor­tune occasionally copyist amanu­ensis strong counter-tenor voice flexible served per­formance species short became fond formed plan little club called together persons spent lives practice psalmody pains help ordinary solmization1 them expert soon able almost sight part they mostly mechanics weavers spitalfields others various trades occupations twelve bells alehouse bride lane fleet street both president instructor sub­scription five shillings sixpence quarter defrayed expenses books paper afforded refreshments porter tobacco…their consisted three four parts assisted boys choir paul's pauls sang compositions kind also catches rounds canons elegantly degree correctness justice harmony solmization system identifying notes scale syllables derived hexachord guido d'arezzo darezzo eleventh additional other modifications resulted tonic sol-fa meets times pro­grammes confined genuine exception favour pearsall whom shall meet shortly founder-member bristol choirboys last responsible treble replaced women sopranos although guests welcomed meetings held tallow chandlers' chandlers hall dowgate hill expected merely passive listeners society's societys activities laid stress social intercourse since 1821 full dinner preceded apart current library includes valuable manuscripts rare housed british museum except festivals those three choirs gloucester worcester hereford festival sons clergy cathedral oldest society performing regularly clearly stemming consequently owing something upsurge dilettante earlier opening january 1837 edward taylor nor­wich ironmonger whose marriage wealthy heiress enabled devote himself exclusively eventually gresham professor delivered series lectures under title 'english vocal harmony' harmony institution park each lecture afternoon repeated evening ranged widely pre-reformation state foundation illustrations provided sextet male female vocalists societies during previous half-century catch' catch club alfred bleeck local surgeon attended taylor's taylors moving spirit founding explore vastly superior president actually established final minute dated recording promote city wednesday march montague destroyed bombing 1940 junction steep kingsdown parade then open country continued regular after first world move clifton despite fact participated entrusted choristers altos eight tenors seven basses included clerks surprisingly corfe organist trebles unchallenged over catch latter round arranged successive entries either nonsensical vulgar effect debased descendants amusing calcott l76-l82l serve example form dialogue respective merits histories manipulates burney's burneys burn d'ye him? comparatively modern 'conductor' conductor conducting piece using stick hand become usual till mendelssohn sought-after conductor britain content beat bars movement down applaud corfe's corfes select teach speed beginning each conducted considerable formality procedure followed book rules issued took chair precisely requested secretary call names large table middle side await signal starting paid annual subscription guineas puzzling rule entitled refund belonged present roll there twenty-two season claimed return explanation curious provision apparently start desirability having competent recognised professionals join method refunding paying modest invented involve invidiousness letting people free 'gentlemen' gentlemen claim refunds remained reduced guinea 1946 fee-paying fee-earning 1966 stands thirty honorary members supported receive complimentary tickets dozen consequence unusually comprehensive 1958 finances buying presenting already noticed allows robert lucas alongside true remarkable character demands passing mention born 1795 officer light horse volunteers talented string player singer army indifferent health diverted western circuit 1825 medical advice decided live abroad family result successful hoop-iron rolling mill ancestor willsbridge warmley bitton 1712 house built occupied mixing desultory antiquarian studies work travels mainz lessons joseph panny austrian least brief returns second 1836-37 enabling take inauguration tenor some previously settled carlsruhe travelled europe developed bent libraries paris munich nuremberg places constantly composing often sent 1842 moved schloss wartensee swiss shore lake constance 1856 	pearsall's 	pearsalls include quartet part-songs 'madrigals' fair imitation masters particularly much remains manuscript pity better known choirs jolly pedestrian will o'er downs imaginative 8-part garland great love although recent beautiful arrangement fourteenth-century latin-german macaronic christmas song dulci jubilo popular contrapuntal harmonic idiom naturally recalls spohr within wrote miniatures real distinction beneficial influence selection every concert save 1844 		the performed shews seriously apart master school single item outside standard maintained 1850 despite pressure contrary victorian sentimental part- gained greatest pieces added weelkes's weelkess vesta latmos hill descending wilbye's wilbyes sweet honey-sucking bees choice hotel custom today fifteen-minute coffee break religiously observed rehearsal tend still think occasions communal making pleasant practices aspect loomed birthday 1838 gave excuse anniversary unexpected wives participants all-male gathering expressed listen heard glowing accounts october therefore 'ladies ladies night' night thus began ladies' nights intermittently annually anything else bring notice after spacious accommodation hotwells next newly-completed hall victoria rooms booked eighty these line waiting carriages stretching mile square weeks beforehand dress shops vied another displaying gowns larger invited grew 1845 with substitution contraltos yearly 'annual annual concert' concert previously only woman ever ellen terry devotee once visiting hear forbidding admission ladies room specially relaxed occasion unanimous vote demand caused special regulations conduct public advertisement these forbidden might ticket exposed sale instead allowed twenty extra rest distributed committee suitable acknowledgement precaution against gate-crashing endorsed user person distributing 1858 should half-hour interval offered vistors bitter sandwiches galleries reserved mayor dean chapter parliament distinguished visitors nowadays longer offers audiences charged inception fortnightly wednesdays without holiday august however felt nature demanded intensive weekly june breaks easter ample makes strange thought necessary strengthening 1890 outside' employed 1850s 1860s arrive brethren matins evensong maximum fixed figure exceeded membership near second that exactly original doctors solicitors termed business world seems supplied meanwhile changing hundred items nearly even unscholarly editions single-part remembers comparative unfamiliarity scarcity copies cheap octavo fellowes inclusion part-song advised introduction motets including eight-part sing lord bach presumably enthusiasm easier offer prizes 1864 winners 1866 henry leslie lahee westbrook want faded date well-written preserves shelves hands 1865 resigned hearing samuel sebastian wesley informed appointment daniel rootham clerk notable circles fifty organist trained chorus triennial festivals taught clara butt pupils father cyril john's johns college cambridge 1901 1938 grapple problem choristers' solved recruiting heavy expense somehow managed keep head water principally profit reached level july 1885 invitation council international inventions exhibition royal albert 1908 'command' command king queen alexandra board yacht 'victoria albert' avonmouth fiftieth 1915 retired honour hubert parry stanford events duly chronicled newspapers flattering notices necessarily taken expressions patriotism mirror declared attained youth perfection still compliments trustworthy sources 1868 barnby typical choral choral year's altogether freely confess experienced greater native foreign similar 1879 hullah pioneer class instruction joint quoted chronicle saying older front national press sometimes approving terms centenary celebrations 1937 1962 times said shewn venture boldly fruitful territory rootham's roothams parson joined reverend precentor 1897 1900 recently oxford recorded experiences charming autobiography memoirs amateur musician clear association turned thoughts conventional late-victorian tastes direction realised access fraction wonderful madrigalists searches surviving thirty-six school appeared 1913-24 collection poetry find verse 1920 proudly claims inspiration behind labour love honesty fellowes's fellowess comment perceived rhythmic characteristic features misunderstood modern scholarship revision desirable carefully edited astonishing progress forty eagerly make went labours life producing tercentenary publications lutenist songwriters monumental complete edition byrd's byrds besides active editorial board carnegie trust's trusts church popularity victoria's victorias crook trainer gathered adult glees lighter december 1846 amater glee numbers orpheus holding friendly rivalry several bogs completely band alto 1878 george riseley ebullient leadership windsor 1895 permitted word 'royal' name 1914-18 broken inevitable reduction problems successor hunt arrival many chorister george's georges chapel considered requisitioned military authorities conceived idea taking pearsall's pearsalls home vicarage aged vicar canon ellacombe 1840s practical hunt's hunts left innovations infused again associated begun creep banished hospitals anthem recitals instituted organised mary redcliffe bath abbey basis improved rarities nineteen-part motet bone jesu carver shadowy late fifteenth monk scone marenzio gesualdo tercentenaries 1923 1925 suitably celebrated besides greatly virginals harpsichord lute viola d'amore damore gamba virtually unknown provincial appearances directed 	and invigorated approached centenary principal feature different halls post-war university venue 1926 1933 then except 1935 1936 fire damage building too-small queen's queens berkeley pavilion respectively restored horsley's horsleys national anthem unusual seemingly arne's arnes version introduced waits seventeenth-century jeremy savile adopted closing originally fa-la-la refrains balletts first-verse merrily thomas oliphant programme dedicated further office received lambeth 1929 central presentation experiment invite folk dance song dance intimation dancing 1939 commemorated opportunity former come disappearance mustered traditional lines suspended hostilities 1945 eightieth plans action 1965 hundredth birth favourite edgar holborne ensemble recorders viols fell alwyn surplice elected step re-forming putting revolutionary change history black-out difficulties interfered attendance meeting educational pressures collaboration unlikely came reconstituted remaining nucleus augmented upper rehearsals resumed arrange winchester succeeded clifford harker appearance 1950 bach's bachs chorales relating preludes organ mark composer's thereafter generally participant bristol's bristols four directors writer lecturer tradition however closer link vice-chancellor loveday appropriate changes tended concentrate major musikalische exequien schütz german white's whites lamentations buxtehude's buxtehudes missa brevis palestrina's palestrinas aeterna christi munera papae marcelli masses allegri's allegris miserere embellishments papal choir kodály's kodálys jesus traders mass voices taverner's taverners wind richard davy's davys passion 1492 eton book instanced connexion instrumental brass consorts extended britten's brittens hymn cecilia gloriana dances mátra pictures schools informal vaughan williams's williamss fantasia carols forays giving 1964 ramsbury 125th repeating bernard naylor's naylors vain wits eyes 1959 interesting 1963 beethoven's beethovens trios oboes anglais probably anyone combination 1956 father's fathers extensive researches discovered hitherto unsuspected playful cornposer's cornposers muse attractive 1957 ayres dialogues solo accompaniment martin peerson jacobean caroline madrigalist neatly combined polyphonists aria keyboard fitzwilliam virginal raymond leppard kirkman 1740 georgian 	these west lecture theatre reception room proved easily pleasantest repair unable premises acoustically inadequate stage green chosen provide seating when retrograde future authentic currency boys' 'correct' correct difficult understand people's peoples minds small group illustrated question european paintings plain proof more problematical altus quintus medius contra tenor wide range impossible editors conductors interchange hoping texture sexes right justified society? dispensing instruments? hundreds shew groups players writer's goes suggests conception unaccompanied concerted justification lies partly extreme freedom implied described collections phrase prepared ensured somebody aesthetic derive programme music sung first singing meeting march flora fairest flowers	john wilbye shorten winter's winters sadness	thomas pride may	thomas learned poets	orlando arise 	robert creyghton cynthia chanting	giovanni croce follow footing	thomas creatures merry minded	john bennet saith lycoris	luca hosanna david 	orlando down flow'ry flowry valley	costanzo festa soon careless stray'd	costanzo strayd	costanzo april mistress' mistress face	thomas waits	savile centenary ladies' ladies night january part anthem	arr horsley  cynthia  april honey sucking bees	john descending	thomas inserted works time	c villiers 1852-1924 hark poseidon's poseidons white racing horses	cyril 1875-1938 corinna's corinnas eyes gaze harford lloyd 1849-1919 belfry	p napiermiles 1865-1935 charm asleep	basil harwood 1859-1949 belle dame sans merci	c 1848-1918 tune heart	walford davies 1869-1941 chorus echoes	frank merrick 1886 love	r 1795-1856 lady fair?	 _______ waits	jeremy 50th society  presidents bleeck	1837-1867 hare	1867-1882 edwards	1882-1899 harvey	1899-1910 napier miles	1910-1914 basil harwood	1914-1920 hugo mallet	1920-1927 loveday	1927-1931 cecil powell	1931-1949 stuart guy	1950- musical directors corfe	1837-1865 rootham	1865-1915 hunt	1915-1945 surplice	1946-1949 harker	1949-1955 byard	1956- \",\" echoes around extended notes accompany robert lucas pearsall 1795-1856 life robert pearsall born clifton gloucestershire march 1795 spent childhood bristol studied when father died 1813 already destined legal career london 1817 married harriet hobday daughter artist armfield couple returned willsbridge house where they home with pearsall's pearsalls widowed mother just bought house from recently bankrupted brother-in-law seemed settled then that would spend days practising provincial barrister living quiet comfortable life thirsted after other interests antiquarian historical poetic prosaic musical 1825 year birth fourth child left england wife children search more creative fulfilling family moved first baden-baden mainz stayed until 1830 karlsruhe grand duchy baden from travelled widely through germany central europe collecting material learned papers write subjects diverse duelling practices medieval the' iron maiden nuremberg' nuremberg instrument torture remained 1842 went their separate ways strasbourg schloss wartensee castle standing hillside overlooking vast lake constance dividing bavaria switzerland surviving daughters grown away younger phillipa eventually live enjoyed success painter august 1856 estranged 1854 most probably invitation whom handed over three before received into roman catholic church death buried vault below floor castle's castles chapel james hobson music compositions wide-ranging both scale media which were written they fall quite comfortably distinct episodes although sometimes easily identified clearly definable periods before departure there evidence ever tried hand composition some biographers have claimed composing while still factual this earliest dated july shortly only single tune harmonies known date 1820s part short settings latin texts unaccompanied voices reflect interest german revival renaissance polyphonic music church plainsong tradition cecilian movement even these works developing very individual harmonic palette colour later following small-scale vocal attention captured challenge instrumental next compositional period wrote among others least three overtures orchestra ‘pantomime·ballet‘ marches string ensemble l836 madrigal form began same last composed ensembles connection madrigal society well founding member august body formed january 1837 come summer 1836 affairs deceased mother's mothers estate made arrangements sale membership provided inspiration compose madrigals alone many part-songs bear testament composer solid skills also lightness touch understanding harmony counterpoint unmatched genre 19th century move appears score about 1846 refreshed friendship johann oehler diocesan chancellor nearby city gallen subsequent mainly ecclesiastical anglican rites requiem belongs 	james 				rl work 1853 intention anniversary celebrations commemoration abbacy richard crewdson points preface society's societys 2005 publication political tensions civil between catholics radical faction performance impossible seen politically charged evocation gallen's gallens past particularly intended liturgical concert fact shapes entire people word ‘requiem' ‘requiem conjures composers such mozart verdi brahms whose magnificent soloists chorus favourites hall much intimate smaller-scale choir ‘orchestra' ‘orchestra organ brass horns trumpets saxhorns bombardon double-bass previously experimented similar combination instruments notably 1852 introduction festival mass evidently successful formula adding great baroque stands majestic gallery west door cathedral undoubtedly been room accommodate itself glorious spacious confection winged putti cherubim modelled stucco climb columns line fine white tracery vaults against pale green plasterwork rich colours friezes movements them common time nine scored satb only ‘kyrie' ‘kyrie differs rest five ssatb interestingly re-working earlier anthem give thanks unto lord' lord 1838 published posthumously organist college trimnell that major sung without accompaniment here minor play integral role supporting extra dimension texture depth whole incorporated ‘lux aeterna' aeterna ‘libera doing remaining loyal principles affirming produced words setting uses ‘choirs' ‘choirs throughout each ‘choir' ‘choir identity effect allowing each speak individually duet course together high climactic moments told considered finest important understand lack lifetime small number reached print majority presented specific individuals groups eclipse leave behind 20th-century fashion deriding british skill ingenuity beginning appreciated master builder consummately skilled fugal writing foundations recognisable style mid-19th achieved individuality élite homophonic passages punctuate examples chromatic imitative devices afford plenty opportunity signature effects dissonance resolution opening bars movement give flavour love chord resolutely immediately upward step third ‘tenor' ‘tenor voice passing-note bass destabilise tonal centre stroke chords persisting upwards steps semitone falls natural-sounding cadence dominant within another half manages achieve carefully prepared textbook good practice throws daring loved intellectual becoming academic exercises mind soul poured genius simple complex created lasting monument bears greatness finally getting recognition truly deserves note edition used revisions edward-rhys harry recording when came study realised christopher brown done tremendous editing original manuscript clear indication what scribed available further possible wisely incomplete fascinating begin journey delving pearsail's pearsails intentions looking sacred secular clues habits techniques help chamber choir fill some missing elements seemingly open interpretation himself result hard lyne thankful enthusiasts pleased once again circulate choral repertoire beyond page interesting thanks will hear does places differ currently seeking ensure authentic ‘pearsall performance' little choice alter verbal underlay several instances phrases closely text placement syllables phrasing hope accurate performances' performances future there ambiguity address lines found orchestration finally speculate wanted four solo singers indications show full should singing version best mighty those years 2009 instrumentalists trumpet 		jason owen lewis 		rosamund wilkin horn 			jennifer wright ii			 beth nolan-neylan tenor 		catherine showell euphonium 		molly mcconnell baritone 		michael pearce double bass 		ashley-john long david organ 			richard johnson soloists soprano 		chantal marsh alto 			julia harrow 			greg smart 			mark dennis great love 			r ‘great love' chosen walford davies supply link history ‘from plantagenet tudor victorian times' times albert hall royal command concert empire 1935 programme says took 1839 words architect makes frames perfect building peaceful close fleeting moment piece dedicated corfe director aspects eight-part perspective point every simultaneously unusual ‘and feel safe-same fire wastes lover's lovers heart away' this february marks 170th work's society originally performed pity amaryllis bend thou pray inspire make self-same behold 			kevin duggan 1959- musical director 1998-2004 ‘behold 1992 danish island marstal motetkor christmas times since chamber choirs including ionian singers given kevin ‘god's ‘gods praises' praises ‘suibhne's ‘suibhnes song' song carol based folk-like melody hours remarkably 17th-century hymn-writer thomas pestel organist conductor interested early pupil wells cathedral school learning piano read bath university followed harpsichord winning clavichord prize 1981 west competition 1983 reaching semi-finals odense international recitals paul's pauls composition remains kevin's kevins sinfonia nordica following large-scale cantata kontakion bornholm 2007 completed nicolaimessen mass turn retum denmark lives today currently renne flourishing concerts international festival held creator clay robe virgin flesh takes wear hark hark wise eternal word like weak infant cries servant manger lies wonder struck world amazed shook starry frame squadrons spirits stood gazed down troops glad shepherds view sight angels sings eastern sages delight adore king kings join hearts stone prove celebrate holy peace amen alleluia 1584-1659 what bird said 			raymond warren 1928- president 1972- fortunate gifted professor raymond position 1972 attending giving valued support extremely grateful cambridge privately michael tippett lennox berkeley 1955-72 taught queen's queens belfast resident composer ulster orchestra post involved conducting contemporary retirement 1994 warren's warrens include symphonies violin concerto oratorio continuing cities passion quartets operas song cycles commissioned peter pears author book opera workshop gives composer's opera over pieces 1985 150th however ‘what early year' year gave closer association than explains ‘addison's ‘addisons walk grounds magdalen oxford fellow 1925 1954 poem 1938 tells birdsong heard message verses simply lower soprano descant representing bird later take bird's birds echoing garden memory jean littler husband john radiant character embody strolling along addison's addisons punting river cherwell borders addison sing true winds strip blossom apple trees want rain destroy peas time's nature defeat promised passing cheat lead round back autumn older well-worn track flowers foretell shall escape circle undo spell often deceived your quick quick gates drawn apart 'what said' 1898-1953 loss 			edward-rhys 1973- 2007-09 formerly bate comes penclawdd south wales having shown precocious talent organ-playing children's childrens edward under william mathias harper bangor 2006 crowned bard national eisteddfod masters post-graduate studies chorus occasionally welsh directs teaches ceaseless determination prolong medical advances stave process ageing final taboo insult rather inevitability loss appalling shock physical emotional pain overwhelming these dark explored reflected upon harry's harrys principally listener impact losing someone mourning ending devastating realisation option goodbye enraged ‘requiem aeternam' aeternam masculine rhythmic eleison' eleison feminine ethereal ‘pie jesu' jesu reflection lettest servant' servant conversation woman lost suffered requiem traditional funeral service added bible premiered 2008 kyrie sanctus libera agnus hymnus *conducted molly flute 			bethan pickering clarinet 		samuel thompson oboe anglais 	tom wood bassoon 		harry ventham 		glen philp timpani 		simon-rhys harp 			sally jenkins violin 			michelle zarb ‘cello 			james ottley 		zoe carter-beedie mezzo 		antonia taylor 		edward-rhys waits 				jeremy savile 1600-67 joyous rehearsal almost exception glee often ends usually pride place rightfully therefore concludes 	the meaning ‘wait' ‘wait changed 13th signified town watchman sounded horn gate signal needed became shawm warning danger might even sound late 1400s waits become bands playing civic ceremonies evening streets 16th fairly raucous evolved tuneful viols recorders jeremy towns tunes played songs glees catches during anthologies famous ‘here's ‘heres health majesty' majesty appeared p1ayfo1d's p1ayfo1ds 1667 companion collection catch club called jewry playford members ‘the waits' 1672-3 ‘fa' ‘la' two-line verse oliphant 1799-1873 editor cataloguer manuscripts museum joined president 1872 active translated italian lyrics being ‘stay gentle sires' sires declared blasio tomasi unknown oliphant's oliphants name library likely considerable flow societies suggested repeated twice las' merrily till echo responsive ring verse \",\" archive images \",\" mawes \",\" visit nuremberg choir june 21st 2011 \",\" summer social 2011 \",\" long ashton summer 2011 \");");
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